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Zine Fest Recaps

Submitted by alycia on Sun, 07/05/2009 - 16:30

I've been battling a nasty ear infestation ever since the Zine Fest last weekend, but I wanted to take a moment to note that the events went really well!

I was utterly amazed by the workshops-people were speaking to topics that were really amazing-zines or otherwise. Topics that were under the radar, even perhaps in zine circles. And they were all really articulate and great to listen to!

Ben Holtzman & Kathleen McIntyre set the scene on Saturday with their discussion of zines that deal with grief and illness. I was really impressed with how well-spoken and thoughtful their presentation was, and it was really wonderful to hear what Katherine had to say being someone who has dealt with grief. Their zines The Worst: A Compilation Zine on Grief and Loss and Sick: A Compilation Zine on Physical Illness are at the top of my pile from the Fest.

Everyone at the "Stitched on the Spine" panel seemed to really adore the books they made with help from the volunteers from the Center for Book Arts. I learned a few tricks in the moments I was in the room, and the paper they brought (letterpress scraps and other odds and ends) was really lovely! Perhaps the most important bit that was mentioned was that the CBA has a "Book Arts Lounge" monthly on Fridays where you can visit their studios for free and make things!

What I was able to hear of the "Marginalized Voices and Zines" presentation was really inspiring. China and Vikki are great speakers who really acknowledge their audience. It was especially interesting to hear China talk about how the perception of her mama zine has changed over time (along with reactions to motherhood at large)--from being laughed at in radical circles to becoming a visible and published work.

The final workshop that I was able to catch bits and pieces of was Robyn Chapman's "A Century of Self Publishing: Zine and Mini-comic History 1900-present." Robyn talked about all kinds of wonderful bookmaking history from Dada to the Beats, comix and more. She really knows her stuff, and it may seem cheesy, but I really liked her slides. Anyone who can cover letterpress and Superman in one talk gets an A in my book!

The floor of the Fest was really inspiring as well; A cigarette machine loaded with seventy-five cent rolled zines, "Read Zines Not Blogs" posters, Vandercook T-shirts (yeah, I bought one), free tampons, kid zines, librarian zines, poetry zines, chapbooks, silkscreen posters, buttons, comics, photography zines, cupie dolls... It was all amazing. I have a pile of really great stuff to dig through.

If you want to follow coverage of the Fest (before and after) I am tagging links with "nyczinefest" on my delicious account. Lots still for me to digest and think about (ahem, or even read).

Some nice photos are here.

Happy that all the press we had about "zines aren't dead" is true. I think zines are undead; like zombies! When there's no more room in hell, the zines will walk the earth! Viva la print!

THANK YOU to everyone who participated and made this event happen!

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Daily Reading Log

September 5, 2010

  • American Captivity Narratives for class, on the train on the way to and from working on the CHPCMA presentation. Sometimes you just can't read fast enough.

September 4, 2010

  • More work on the paper!

September 3, 2010

September 2, 2010

  • Not much reading, but lots of writing!

September 1, 2010

  • A truckload of materials from the archives about Jackie Eubanks and the Liberation Library.
  • I listened to Bill Moyers interview Jane Goodall on the way home.
  • Part of my homework, "How Indians Got to be Red," by Nancy Shoemaker.

August 31, 2010

  • I can not believe it is the last day of August already. Shortest summer break ever!
  • Lots of "alternative-media-turned-corporate-in-the-90s" articles

August 30, 2010

  • Research, research, research. Counterpoise, zine books, zine guru Dodge, and a mish-mash of other things.

August 29, 2010

  • Irwin Weintraub, "The Impact of Alternative Presses on Scientific Communication"
  • Dr. John Van Hook, "The Selection of Alternative Materials: Building a Library Collection"

August 28, 2010

  • Anna H. Perrault, "The Changing Print Resource Base of Academic Libraries in the United States"
  • Angela Brookens and Alan Poulter, "Support for Alternative Publishing by Public Libraries in Scotland"
  • I won the first round.

August 27, 2010

Further down the rabbit hole:

  • Daniel C. Tsang, "The Alternative Media: Open Sources on What's Real."
  • Sanford Berman, "Where It's At."

August 26, 2010

  • First day of "Save the World on Your Own Time: The Rhetorics of Advocacy." We read through a few definitions of rhetoric, and a few examples of advocacy (from 8.5x15 photocopy mash-ups), and then I read "The Cooling Out Function in Higher Education" by Burton R. Clark on the way home--because Ira Shor prints out the readings for us each week.

August 25, 2010

  • I don't know how, but I always forget just how hectic these first few days of each school year can be. Graduate students were orientated! In a room too small to hold them all!
  • I listened to some of the Fresh Air episode on advertisement surveillance online, and Democracy Now!, and fretted over consumerism on my way home today.

August 24, 2010

  • Today was Orientation at my campus for undergraduates. I made a zine, copied a zillion handouts, and had fun meeting new students. Which utterly wiped me out for any other reading.

August 23, 2010

  • Danky, as found in "An Alternative Vision of Librarianship: James Danky and the Sociocultural Politics of Collection Development" by Juris Dilevko in the Dankyfest issue of Library Trends:
    • We check off the books sent on centralized approval plans, replicate the cataloging others have done (frequently without the complete book in hand), and then answer our patrons’ questions with information from commercial databases.
  • Kiss My Filing Indicators

August 22, 2010

  • A Passage for Dissent: The Best of Sipapu, 1970-1988
    • Noel Peattie on the word Sipapu: “For me, who chanced on the word, only dimly understanding its significance, it’s a personal message… If I have borrowed the term unfairly, at least I made my Sipapu a place of emergence for others: contributors, poets, and raisers of issues...